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Short Story
The Measure of My Dreams
It was the whole breadth of
my experience. Fifteen square miles of soil and wee cottages.
The townland, the baile of my youth became the expanse
of all my years. You will think I was an ignorant peasant who
knew not how to want more. You will smile at my simplicity,
spare me a moment’s sorrow and forget. But I tell you- the
measure of my dreams was the span of a world entire.
I’d like to tell you my story, but
first you must understand my landscape. Will you come? Will you
look through history’s kaleidoscope, knowing that the passage
of time distorts vision and makes the dead seem small, even
toylike. As though we existed in dioramas, the sort found in
folk museums.
I will not bother with the name of my
village, for it no longer exists on any map or even as a ripple
caught in the traces of living memory. Its roots are there in
overgrown stone foundations and depressions in deep grass that
were once cart tracks and paths made for feet to fly along.
There were twenty-one homes contained
on three hundred acres, but that is merely a note for the
historians. You couldn’t see the baile until you were
almost upon it, it merged with the countryside in an organic
manner, a small huddle that contained a wealth of tangled
relations, loves, hates- in short all the salt of life. Even our
memories were scarcely personal, they were communal, shared,
transformed through the tellings and re-tellings.
But I think, in the beginning at least,
I was different. I wanted all my thoughts for myself, I clutched
at memory like straws of salvation. The fire that was to ruin me
was burning in me even then.
From the day I was born I could hear
the grass grow in the fields. It was I, afterall, who first
heard the potatoes in their death cries. When people spoke I saw
the colors their words left behind. Some said I was a
changeling, child of the fairyfolk, but they said it with
fondness and indulgence. Later they would mutter from the
corners of sunken mouths that my mother ought to have left me on
a hillside to die. I cannot disagree that, in the end, it might
have been better for all concerned had my mother done just that.
Can you define the moment that changed
your life, that put your feet on the path to heaven or to hell?
I can, though the moment was small and consisted only of five
words.
It was the hedgemaster who showed me
The Word, who stirred the embers in my chest into a consuming
blaze. It was myself who sacrificed all to that fire. How was I,
who thought hearts were sexless, to know that words were not for
women? For words sang to me, ran their relentless tunes and
dirges through me like knives. I was cursed with the desire to
set them down, to carve them with the perfume of ink into the
flesh of paper.
But paper was a feast, and ink unheard
of. So I set my words in soil and rock, cut them into tree
bones, wrote them with blood let free from my wrists and ankles
onto rock walls and wooden tables. Later I would open those same
wrists in an effort to stave off death. I think those cuts were
cursed though, that the fire that burned in my blood, poisoned
others.
The Word was contained within a small
blue-bound book, frayed about the edges. It was the architect of
my disaster.
The hedgemaster was a fine strap of a
man, with a voice that could draw blood from the wind. Would it
have mattered had the Word first been spoken by an ugly man with
grated tin for a voice?
What words, you ask, could cause the
downfall of a life barely begun? Five of them, written by a
tuberculous Englishman. Ironic that it should be an English poet
that led an Irish girl down the road to perdition.
‘…And her eyes were wild…’ Five
words and I felt a desire that left me without breath. I was
possessed, obsessed, filled with an unholy need for those pages.
The man who’d written those words knew me, I felt it surely.
I slept with the hegdemaster for that
book. Are you shocked? Don’t be, for who can measure the
madness of such a desire? Who can say how these passions become
twisted when invested in the body of a woman? He’d spoken
Keats to me, and unlocked the door of my cage, that was all the
seduction I required. He took me down amongst long grass and
dusty bluebells up by the old oak where the townland couples
courted. Behind closed eyes I saw the rainbow of the words I
would soon possess. My terrible greed cost me dear though. For
when the hedgemaster moved on, he left more behind than the
Word.
My son was born under a sickle moon, to
a mother bewitched by the Word and a father who did not share
his blood. I married the boy next door so as not to bring
greater disgrace upon my family than was necessary. He was a
good man, with a broad back and a kind heart.
I never lied to him, I told him about
the Word and how it burned within me like a holy flame. How to
hold it back was to let poison free to gnaw my insides. I
thought, fool that a young girl can be, he understood. Even when
I realized he did not, I thought I could have my words in the
dark of night, in the bones of trees, bits of soil and spilled
blood.
But God, it seemed, had other plans for
me and mine.
I remember the night it began. A fog,
the color of iron, came rolling down over the
hills. It was a vapor, thick and
creeping, pouring itself into crevices and hollows. Into the cup
of leaf and vein of soil. It seemed as though Death had breathed
out over the land. In the morning there was a fine white dust on
the potato stalks, their hardy necks bending already under the
lethal touch.
We didn’t understand at first. No one
ever understands when they are face to face with disaster. It
had come so quietly afterall. On hands and knees we scrabbled in
the dirt- only to find despair. We didn’t know that was to be
the season God abandoned Ireland . He didn’t show his face
again for many a year. He left us with four mouths to feed, and
no food with which to do it. I hated Him, and yet understood the
impulse to run away from such need.
I cannot explain the weight of hunger
to one that has never known more than a moment’s growl in the
belly. Hunger consumes, it eats you alive. It crushes you when
it
is not merely a question of where to
find your next meal, but a matter of knowing there will never
be a next meal.
When the British came to burn it down
there were holes in the thatch of our cottage, for my husband no
longer had the strength to patch them. The soot-soaked rain
streamed in brown ribbons upon us all, but we no longer had the
means to care for such small discomforts.
I know it sounds wretched to you, but I
could see the stars through those holes. Do you understand- I
could still see the stars.
The landlord offered us one passage on
a ship. Redemption for one, damnation for the rest. We sent the
hedgemaster’s son.
What price redemption? The landlord
only wanted the Word, some pages with ink you may say, a small
price to pay for the lives of your family. He might as well have
asked for my soul.
Did I give it to him? Of course I did,
but after I saw my son safe on the road that would take him away
forever and always, I stole it back. It was my soul afterall and
who can count the cost of such a thing? For my sins my husband
took the blame- my husband died, tied to a flogging pole in the
village square. Back stripped down to the bones. He ended hating
me. Do not blame him. How was he to know he’d married a woman
who contained within her the madness of congealed quartos and
stifled sonnets?
Our first daughter was carted off to
the foundling home. I never did find her, though I tried, please
understand that I tried. I walked two weeks amongst the lice and
dirt and small throated cries to an absent God, that infested
that small corner of hell. The flux took my youngest boy while I
was gone.
The baby was the last to die. I count
upon the clicking of my unfleshed fingers how long since she
departed and find I cannot separate the days, they swarm
together now in a mass of unending misery. I remember how she
looked though, like an odd fever dream, a translucent angel. Her
bones laying against folds of blue skin like long shafts of
pearl. Small mouth rimmed in green from the grass I’d fed her.
From my son there is no word. I pretend
not to know his fate. I write long fanciful letters in my head
from him. I imagine him drinking milk and honey, walking on
streets paved with gold, in a new world.
And so here tonight under a sharp-faced
moon, I remain.
I do not know why I cannot die. The
cuts from which I nursed my children on blood do not heal well
anymore. I pray to a God I no longer believe in that I’ll take
infection and die. I pray for the fever to come for me. I have
not been so lucky as others for I am still alive. Perhaps I am
cursed to walk this earth forever, cursed to live when the very
grass in the fields withers black with sorrow.
Do not look for me in the history
books, you will not find me, there I will merely be one of an
impossible number. Don’t search amongst the rollcall of poets-
unlike Keats all my words were writ in water. I will
tell you where to find me.
Follow me up the hill, the one that
stretched its toes down to the edge of the townland. Up through
the long grass to the twisted oak, where couples once courted
and young girls lost their innocence amongst long grass and
dusty bluebells.
Dig beside the stone that looks like a
folded child. A foot down it’s waiting for you to find-
shrouded in the homespun I took from my husband’s back, before
they tied him to the post.
Has it survived the years well? Is it
moldy? Have the dead poet’s words bled across the pages, can
you smell the copper tang of the blood of those who died for it?
Handle it carefully as you turn the pages, give it some small
respect before you move on. For it is all the measure of my
dreams.
Fifteen square miles, the span of a
world entire.
© 2005 Cindy Brandner
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